METANOIA opera in one act (2009) complete audio recording 73 min.

FILM POSTER SMØLA - Dive (single) Released 2013 Music Video ALBUM COVER SMØLA - Dive (single) Released 2013 AVATAR SMØLA - Dive (single) Released 2013 FILM STILL SMØLA - Dive (single) Released 2013 Music Video

ON THE BOARD Acrylic on Canvas 75" by 106" (190 cm x 270 cm) 2008 Private Collection Germany FATHOM 1 Mixed Media on Card-Board 31" by 39" (80 cm x 100 cm) 2008 Private Collection Berlin, Germany FATHOM 2 Mixed Media on Card-Board 31" by 39" (80 cm x 100 cm) 2008 Private Collection Berlin, Germany FATHOM 3 Mixed Media on Card-Board 31" by 39" (80 cm x 100 cm) 2008 Private Collection Berlin, Germany FATHOM 4 Mixed Media on Card-Board 31" by 39" (80 cm x 100 cm) 2008 Private Collection Berlin, Germany FATHOM 5 Mixed Media on Card-Board 31" by 39" (80 cm x 100 cm) 2008 Private Collection Berlin, Germany FATHOM 6 Mixed Media on Card-Board 31" by 39" (80 cm x 100 cm) 2008 Private Collection Berlin, Germany FATHOM 7 Mixed Media on Card-Board 31" by 39" (80 cm x 100 cm) 2008 EMANATION Acrylic on Paper 75" by 106" (190 cm x 270 cm) 2008 Private Collection Munich, Germany NO WHITE Acrylic on Canvas 62" by 74" (160 cm x 190 cm) 2008 - available for purchase - PINK Acrylic on Canvas 62" by 74" (160 cm x 190 cm) 2008 Private Collection Frankfurt, Germany UNTITLED Acrylic on Canvas 62" by 74" (160 cm x 190 cm) 2008 Private Collection Bad Homburg, Germany ORANGE SOMETHING Acrylic on Canvas 62" by 77" (160 cm x 195 cm) 2008 - available for purchase - BERLIN Acrylic and China Marker on Paper 53" by 63" (135 cm x 160 cm) 2008 - available for purchase - THREE OF FIVE Acrylic on Card Board 39.3" by 31.4" (100 m x 80 cm) Private Collection Munich, Germany ANSVOORT Acrylic on Card-Board 27" by 39" (70 cm x 100 cm) 2008 Private Collection Frankfurt, Germany AMIDST 1 Acrylic on Canvas 39" by 39" (80 cm x 100 cm) 2008 - available for purchase - AMIDST 2 Acrylic on Canvas 39" by 39" (100 cm x 100 cm) 2008 - available for purchase - AMIDST 3 Acrylic on Canvas 39" by 39" (100 cm x 100 cm) 2008 - available for purchase - AMIDST 4 Acrylic on Canvas 39" by 39" (100 cm x 100 cm) 2008 - available for purchase - AMIDST 5 Acrylic on Canvas 39" by 39" (100 cm x 100 cm) 2008 - available for purchase - AMIDST 6 Acrylic on Canvas 39" by 39" (100 cm x 100 cm) 2008 Private Collection Frankfurt, Germany

RISE selection from JENS JONELEIT / IN-BETWEEN blues pieces Neos Jazz Release 2007 (8:15) ORDER CD

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FRIEZE Mixed Media on Paper, loose leaf (unframed). Unique. 15.75" by 19.75" (40 cm x 50 cm) (2024) Preis auf Anfrage (Werktitel per Email an: jens.joneleit@googlemail.com) Price upon request (send email with work-title to: jens.joneleit@googlemail.com) UR4C 03 Mixed Media on Paper, loose leaf (unframed). Unique. 15.75" by 19.75" (40 cm x 50 cm) (2024) Preis auf Anfrage (Werktitel per Email an: jens.joneleit@googlemail.com) Price upon request (send email with work-title to: jens.joneleit@googlemail.com) UR4C 04 Mixed Media on Paper, loose leaf (unframed). Unique. 15.75" by 19.75" (40 cm x 50 cm) (2024) Preis auf Anfrage (Werktitel per Email an: jens.joneleit@googlemail.com) Price upon request (send email with work-title to: jens.joneleit@googlemail.com) UR4C 05 Mixed Media on Paper, loose leaf (unframed). 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Unique. 19.75" by 15.75" (50 cm x 40 cm) (2024) Preis auf Anfrage (Werktitel per Email an: jens.joneleit@googlemail.com) Price upon request (send email with work-title to: jens.joneleit@googlemail.com) DOINGS 09 Mixed Media on Paper, loose leaf (unframed). Unique. 19.75" by 15.75" (50 cm x 40 cm) (2024) Preis auf Anfrage (Werktitel per Email an: jens.joneleit@googlemail.com) Price upon request (send email with work-title to: jens.joneleit@googlemail.com) DOINGS 10 Mixed Media on Paper, loose leaf (unframed). Unique. 19.75" by 15.75" (50 cm x 40 cm) (2024) Preis auf Anfrage (Werktitel per Email an: jens.joneleit@googlemail.com) Price upon request (send email with work-title to: jens.joneleit@googlemail.com) LOOK 02 Mixed Media on Paper, loose leaf (unframed). 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LOOK 03 Mixed Media on Paper 19.75" by 15.75" (50 cm x 40 cm) (12/2023) LOOK 02 Mixed Media on Paper 19.75" by 15.75" (50 cm x 40 cm) (12/2023) LOOK 01 Mixed Media on Paper 11.75" by 9.5" (30 cm x 24 cm) (12/2023) DWECK 08a Mixed Media on Paper 19.75" by 15.75" (50 cm x 40 cm) (12/2023) DWECK 08b Mixed Media on Paper 19.75" by 15.75" (50 cm x 40 cm) (12/2023) BIRDY 03 Mixed Media on Paper 19.75" by 15.75" (50 cm x 40 cm) (12/2023) DANGLING 02 Mixed Media on Paper 11.81" by 9.44" (24 cm x 18 cm) (12/2023) DANGLING 01 Mixed Media on Paper 11.81" by 9.44" (24 cm x 18 cm) (12/2023) SNGY 07 Mixed Media on Paper 19.75" by 15.75" (50 cm x 40 cm) (12/2023) SNGY 06 Mixed Media on Paper 19.75" by 15.75" (50 cm x 40 cm) (12/2023) SNGY 05 Mixed Media on Paper 19.75" by 15.75" (50 cm x 40 cm) (12/2023) SNGY 04 Mixed Media on Paper 11.75" by 9.5" (30 cm x 24 cm) (12/2023) SNGY 03 Mixed Media on Paper 19.75" by 15.75" (50 cm x 40 cm) (12/2023) SNGY 02 Mixed Media on Paper 19.75" by 15.75" (50 cm x 40 cm) (12/2023) SNGY 01 Mixed Media on Paper 19.75" by 15.75" (50 cm x 40 cm) (12/2023) DNGY 07 Mixed Media on Paper 19.75" by 15.75" (50 cm x 40 cm) (12/2023) DNGY 06 Mixed Media on Paper 19.75" by 15.75" (50 cm x 40 cm) (12/2023) DNGY 05 Mixed Media on Paper 11.75" by 9.5" (30 cm x 24 cm) (12/2023) DNGY 04 Mixed Media on Paper 9.5" by 9.5" (25 cm x 25 cm) (12/2023) DNGY 03 Mixed Media on Paper 19.75" by 15.75" (50 cm x 40 cm) (12/2023) DNGY 02 Mixed Media on Paper 19.75" by 15.75" (50 cm x 40 cm) (12/2023) DINGY 01 Mixed Media on Paper 19.75" by 15.75" (50 cm x 40 cm) (11/2023) DWECK_07 (Light Pink) Mixed Media on Paper 19.75" by 15.75" (50 cm x 40 cm) (11/2023) DWECK_06 (Purple) Mixed Media on Paper 17.32" by 15.75" (44 cm x 40 cm) (11/2023) DWECK_05 (Yellow) Mixed Media on Paper 19.75" by 15.75" (50 cm x 40 cm) (11/2023)

LIST OF COMPOSITIONS (Last updated August 2020) WP = World Premiere Performance CD = Compact Disc Recording PLEASE NOTE THAT SCORES & PARTS FOR EVERY COMPOSITION HAVING BEEN COMPOSED AFTER 2004 ARE ONLY AVAILABLE FROM KARSTEN WITT MUSIK-MANAGEMENT GmbH. PLEASE CLICK: Orchestral Works: Symphony No. I (“Mecklenburger Sinfonie”) (1988/91). 3 Mvmts, Dur.: 30 Min. 2.2.2.2 – 2.2.2.0 – Perc.(2) – 4Timp. – Str. Symphony No. II (1990/92). 4 Mvmts, Dur.: 38 Min. Picc.2.2.1.1 – 2.2.2.1 – Perc.(3) – 2Timp. – Str.:12.12.10.8.6 Serenade for String Orchestra d-minor (1992). Dur.: 6 Min. Ensemble:12.12.8.8.6. WP: August 26th, 1992, Bayreuth, Germany / String-Orchestra of the Conservatoire of Lwiw, Ukraine Fanfare for Symphonic Band (1992). Dur.: 7 Min. 2Picc.2.0.2.2Bcl.4Sax.2 – 2.3.2.4 – Perc.(11) (all Parts ad lib. to be doubled) WP: February 1993, Vermillion, SD, USA / University of South Dakota Symphonic Band Two Serenades for String Orchestra (1993/95) No. 1: “Stella” (1993). Dur.: 6 Min. WP: August 24th, 1993, Bayreuth, Germany / String-Orchestra of the Conservatoire of Lwiw, Ukraine No. 2: “A little romantic Serenada” (1993/95). Dur.: 8 Min. Stella , Symphonic Poem (1993). Dur.: 25 Min. Picc.2.2.Eh.2.3.Cbsn. – 4.4.3.1 – Perc.(3) – 5Timp. – Str.:12.12.10.8.6 Pinocchio , Ballet-Ouverture (1994). Dur.: 13 Min. 2.2.2.2.Cbsn. – 3.2.2.1 –Perc.(3) – 3Timp. – Pno. – Str.:12.12.10.8.6 Symphony No. III (“American Symphony”) (1994). 4 Mvmts, Dur.: 50 Min. 2.2.2.2 – 2.2.2.1 – Perc.(3) – 4Timp. – Str. WP: November 25th, 1998, Budweis, Czech Republic / South-Bohemian Philharmonic Orchestra Domestic Impressions , Suite for String Orchestra (1995). 4 Mvmts, Dur.: 20 Min. The Treasure-Ship , Ouverture for large Orchestra (1995/96). Dur.: 10 Min. Picc.3.2.Eh.3.Bcl.4 – 6.4.3.1 – Perc.(5) – 3Timp. – Str. WP: Mai 18th, 1997, Madison, WI, USA / Wisconsin Youth Symphony Orchestra Symphony No. IV (“Peace-Symphony”) (1995). 4 Mvmts, Dur.: 50 Min. Picc.2.2.Eh.2.Bcl.2.Cbsn. – 6.3.3.2 – Perc.(3) – 3-4Timp. – Str.:16.14.12.10.8 Heldenplatz , Ouverture to Thomas Bernhard’s Play (1993/96). Dur.: 7 Min. 2.2.2.2 – 2.1.2.1 – Xyl. – Marimb. – Perc.(3) – 3Timp. – Pno. – Str. Symphony No. V (1996). 2 Mvmts, Dur.: 55 Min. 3.3.Eh.2.Bcl.3.Cbsn. – 6.3.3.1 – Perc.(4) – Timp. – 3Hps. – Str.:16.14.12.10.8 Symphony No. VI (“Colored Time”) (1996). 3 Mvmts, Dur.: 60 Min. Picc.3.3.Eh.2.Bcl.3.Cbsn. – 8.4.3.1 – Perc.(4) – 5Timp. – 2Hps. – Str.:16.14.12.10.8 Symphony No. VII (1996). 2 Parts, Dur.: 50 Min. Picc.3.2.Eh.3.Bcl.3.Cbsn. – 8.4.3.1. – Perc.(4) – Timp. – 2Hps. – Str.:16.14.12.10.8 Nur von der Erde… (Only from the Earth…), Concerto for Orchestra (1997/98). Dur.: 20 Min. Picc.3.2.Eh.2.Bcl.2.Cbsn. – 4.3.3.1 – Perc.(4) – 5Timp. – 2Hps. – Str.:14.14.12.10.8 Mosaic , Four Pieces for small Orchestra (1998). 4 Mvmts, Dur.: 13 Min. 1.1.1.1 – 2.1.0.0 – Perc.(1) – Hp. – Str.(ad lib. to be doubled):1.1.1.1.1. WP: April 24th, 1998, Madison, WI, USA / Contemporary Chamber Ensemble UW-Madison Weidengesang (Willo-Tree Chant) for large Orchestra (1997/98). Dur.: 27 Min. Picc.3.2.Eh.2.Bcl.3.Cbsn. – 4.3.3.1 – Perc.(4) – 5Timp. – Pno./Cel. – 2Hps. – Str.:14.14.12.10.8 WP: August 11th, 2000, Riedenburg, Germany / Moscow Symphony Orchestra Sinfonia Riconciliazione (Haydn-Paraphrases) (1998). Four Mvmts, Dur.: 13½ Min. 1.2.0.1 – 2.0.0.0 – Harpsichord – Str.:5.4.3.3.2 WP: Oktober 3rd, 1999, Madison, WI, USA / University of Wisconsin Chamber Orchestra Ombres chatoyantes (Irridescent Shadows), Five Pieces for Orchestra (1998) Dur.: 8 Min. 3.2.2.3. – 4.3.3.1 – Perc.(3) – 5Timp. – Hp. – Str.:14.14.12.10.8 Suona profondo l’Aperto, nell’interno di tempo bloccato , Music for Orchestra and Electronic Sounds (Tape) (1999). Dur.: 22 Min. 3.Bassfl.1.1.Cbcl.2.Cbsn. – 2.2.2.1 – Perc.(6) – 5Timp. – Pno. – Cel. – Hp. – Str.:5.0.12.10.8 Schallrisse , Divertimento in seven Episodes (1999). Dur.: 10½ Min. Picc.2.2.2.Bcl.2.Cbsn. – 4.3.3.0 – Perc.(3) – 5Timp. – Pno./Cel. – 2Hps. – Str.:14.14.12.10.8 Les lointains blancs… , Music for a “Beethoven-Orchestra”, (2000). Dur.: 10½ Min. 2.2.2.2 – 4.2.0.0 – 4Timp. – Str.:12.12.10.8.6 WP: September 9th, 2000, Holy Trinity Church, Bayreuth, Germany / Bamberg Youth Orchestra Thorn-Reeth , Composition for Orchestra (1998). 4 Parts, Dur.: 25 Min. 3.2.2.Bcl./Cbcl.2.Cbsn. – 4.3.3.1 – Perc.(1) – 5Timp. – Pno. – Str.:14.14.12.10.8 Lux perveniet , Symphonic Chorale for Reformation-Day (1999). Dur.: 7 Min. Picc.6.2.Cl(E-flat).15.Bcl.5Sax.2 – 6.9.4.Euph.5 – Perc.(4) – 4Timp. – 2 Church Bells. WP: Oktober 31st, 1999, Holy Trinity Cathedral, Regensburg, Germany Symphonic Wind-Orchestra Regensburg Cross-Path , Music for large Orchestra (1999). Dur.: 27 Min. Picc.3.2.2.Cbcl.2.Cbsn. – 4.3.3.1 – Perc.(3) – 3Timp. – Pno. – Cel. – Hp. – Str.:14.14.12.10.8 Io sol uno (3°) , Al passo del suono - "Es fesselt, kein Zeichen..." Hölderlin (On the Path of Sound - "No grip, no Signs..." for 5 Orchestra-Groups (2001). Dur.: 40 Min. Ensemble: Group 1: Picc.0.2.0.Bclar.2 - 2.1.0.0. - 0.0 - 4.0.3.2.1. Group 2: 1.0.Eh.1.1 - 1.1.1.0. - 1.) Perc (1).0 - 4.0.3.2.1. Group 3: 1.0.Heckph.1.0 - 1.1.1.0. - Organ - 2.) Perc (1).0 - 4.0.3.2.1. Group 4: 0.0.0.0 - 4.1.2.Btb - 3.) Perc (1).0 - 2. Hrp - 4.0.3.2.1. Group 5: 0.Bfl.0.0.CbClar.0.Cbsn - 0.0.0.Cbtb - 4.) Perc (1). 5 Timp - Cel - 1. Hrp - 0.0.0.2.4. Complete Orchestra: Picc.2.Bfl.2.Eh.Heckph.2.Bclar.CbClar.3.Cbsn - 8.4.4.2 - Organ - Perc (4). 5 Timp - Cel - Hrp (2) -16.0.12.10.8 (at least 4 Contrabasses in Group 5 with C-String) Gestalt im Fluss (Shape within Flow), for large Ensemble (2001). Dur.: 16 Min. Orchestra: 2.0.2.0.Cfag. - 2.2.3.1 – Perc. (1). 3 Timp. – Pno. – Hrp. - 4.0.6.4.3 WP: November 5th, 2004, Radio Symphony Orchestra Frankfurt, Cond.: Lucas Vis Hessian Public Radio ...of other Spaces - Fears - a hollow shining... , for Orchestra (2002/05). Dur.: 50 Min. Orchestra: Picc.2. Bfl.0.2.Bclar.Cbclar.2.Cbsn. - 4.4.4.1 – Perc. (3). 4 Timp. – Pno/Celesta - Harp - 12.0.12.10.8 WP: February 2006, Theaterhaus 1, SWR-Radiosinfonieorchester Stuttgart, Cond.: Peter Hirsch Southwest Public Radio Works for Solo Instruments and Orchestra Piano Concerto No. I (1990). 3 Mvmts, Dur.: 20 Min. Picc.2.2.1.1 – 2.2.2.1 – Perc.(3) – 2Timp. – Str.:12.12.10.8.6 Violin Concerto No. I (1992/93). Dur.: 16 Min. Picc.2.1.1.1 – 1.2.2.0 – Perc.(2) – Str. Cello Concerto No. I (1993/94). Three Mvmts, Dur.: 46 Min. Picc.2.2.Eh.2.2 – 4.2.2.1 – Xyl. – Marimb. – Bassmarimb. – Perc.(3) – 4Timp. – Str.:12.12.10.8.8 Piano Concerto No. II (1995). Three Mvmts, Dur.: 30 Min. 2.2.2.2.Cbsn. – 4.2.2.1 – Perc.(3) – 3Timp. – Str.:14.14.10.8.8 Horn Concerto (1995). Three Mvmts, Dur.: 22 Min. Solo-Horn in E-flat. 2.2.2.2.Cbsn. – 4.2.2.1 – Perc.(3) – 4Timp. – Str. Concert-Music for Cello and String Orchestra (1995/96). Dur.: 10 Min. WP: April 1996, Madison, WI, USA Violin Concerto No. II (1995/97). 3 Mvmts, Dur.: 38 Min. 2.2.2.2.Cbsn. – 4.2.3.1 – Perc.(3) – 4Timp. – Str.:14.14.12.10.8 Splinter-Echoe , Cello Concerto No. 2 (1998). Dur.: 18 Min. 1.0.1.1 – 1.0.1.0 – Perc.(1) – Hp. – Str.(ad lib. to be doubled):1.1.1.1.1 Konnex , Piano Concerto No. 3 (1999). Dur.: 11 Min. 0.0.1.0.Cbsn. – 4.0.0.0 – Perc. (3) – Hp. – Str.:0.0.1.0.3 Io sol uno (4°) , "Nel peso dell'aria immota" (In the Weight of motionless Air) for Violin, Cello and Ensemble (2002), Dur.: 20 Min. 1.0.0.Bclar. – 1.1.0.0 – Perc. (1) – 0.0.1.1.1 VOCAL WORKS Solo-Voices and Orchestra: The Symphonic Metamorphosis of Perpetual Motion for Soprano and Orchestra (1991/92). Poetry by Wilhelm Müller. Dur.: 16 Min. 2.2.3.2. – 2.3.3.2 – Perc.(1) – 3Timp. – Cel.(ad lib.) – Hp.(ad lib.) – Str. Todesfuge (Death-Fugue) for Baritone and Orchestra (1995/96). Poetry by Paul Celan. Dur.: 30 Min. / Picc.3.2.2.3.Cbsn. – 6.3.3.1 – Perc.(4) – 3Timp. – Str.:16.14.12.10.8 WP: April 8th, 1997, Madison, WI, USA / University of Wisconsin Symphony Orchestra Four Songs for Mezzo-Soprano and Orchestra (1996/97). Poetry by Dorothy Parker. Dur.:15 Min. 2.2.2.2 – 4.2.2.0 – 3Timp. – Hp – Str.:14.14.12.10.8 Blüte und Verhängnis (Blossom and Entrapment), Symphonic Song Cycle for Soprano and Orchestra (1999/2000). Poetry by Albert von Schirnding. Dur.: 24 Min. Picc.2.2.Eh.2.Bcl.2.Cbsn. – 4.3.3.1 – Perc.(2) – 4Timp. – Cel. – Hp. – Str.:14.14.12.10.8 Solo-Voice with Chamber Ensemble Accompaniment: Falterzug (Butterfly Trail), Four Songs for Mezzo-Soprano and Ensemble (1997/98). Poetry by Albert von Schirnding. Dur.: 28 Min. 0.0.1.1 – 1.0.0.0 – Str.(ad lib. to be doubled):1.1.1.1.1 Beschwörung (Conjuration) for Baritone and Ensemble (1998). Poetry by Albert von Schirnding. Dur.: 10 Min. 1.0.1.Cbcl.0.Cbsn. – 1.0.1.0 – Perc.(1) – Hp. – Str.(ad lib. to be doubled):0.0.1.1.1 Die Stadt in allen Winden (The City within all Winds), Song-Cycle for Soprano, Flute (doubl. Alto- and Bassflute) and Piano (1999). Poetry by Georg Britting. Dur.: 20 Min. WP: July 10th, 1999, Regensburg, Germany. Commissioned by the District of Upper Palatinate Herbsttag (Autumn-Day), Song for Bass and String-Quartet (2000). Poetry by Franz Xaver Staudigl (= 4th Mvmt of String-Quartet No. VII: Verwehte Pfade). Dur.: 7 Min. i più deserti campi (the most deserted fields), Sonnet for Mezzo-Soprano, Horn and Electronic Sounds (Tape), (2001). Poetry by Francesco Petrarca. Dur.: 31½ Min. Kitzgrau (Pure-Gray), Song-Cycle for Soprano, Flute (doubl. Alto- and Bassflute) and Piano (2002). Poetry by Margret Hölle. Dur.: 17 Min. WP: October 29th, 2002, at District Government’s Ballroom, Regensburg, Germany Commissioned by the District of Upper Palatinate Solo-Voice with Piano-Accompaniment: Four Songs for Female Voice and Piano (1996). Poetry by Dorothy Parker. Dur.: 15 Min. WP: April 23rd, 1997 in Madison, WI, USA Monddunstland (Moon-Dust Land), Seven Songs for Voice and Piano (1997). Poetry by Franz Xaver Staudigl. Dur.: 19 Min. WP: October 10th, 1998 in Beratzhausen, Germany. Commissioned by the District of Upper Palatinate Vier herbstliche Gesänge (Four Autumn Songs) for Soprano, Tenor and Piano (1997). Poetry by Friedrich Georg Jünger. Dur.: 30 Min. WP: September 13th, 1998, Überlingen, Germany. Commissioned by the State of Baden-Württemberg Mein blaues Klavier (My Blue Piano), Three Songs for Soprano and Piano (2000). Poetry by Else Lasker-Schüler. Dur.: 10 Min. WP: Oktober 16th, 2000 in Regensburg, Germany Die Pfauen (The Peacocks), Concert-Aria for Soprano and Piano (1999). Poetry by Friedrich Georg Jünger. Dur.: 15 Min. WP: March 27th, 1999, Heiligkreuztal, Germany Zwischen Traum und Tag (Between Dream and Day), Seven Songs for Voice and Piano (2000). Poetry by Margarete Müller-Henning. Dur.: 13 Min. WP: March 22nd, 2000, Regensburg, Germany. Commissioned by the Literature and Music Association, Regensburg Girassol da Madrugada (Sunflower of the Morning-Dusk), Seven Songs for Baritone and Piano (2000). Poetry by Mário de Andrade. Dur.: 20 Min. WP: August 23rd, 2000, Margravial Opera House, Bayreuth, Germany Verhängte Spiegel (Mirrors Drawn), Five Songs for Voice and Piano (2002). Poetry by Margarete Kubelka. Dur.: 20 Min. WP: October 20th, 2000, Regensburg, Germany. Commissioned by the Literature and Music Association, Regensburg Choir a capella: Choir-Song from “King Oedipus” by Sophocles (1990). Dur.: 6 Min. Gradus ad fontem , seven meditations for Soprano, 3 Tenors, Baritone and Bass (2001/03). Texts by Pope John Paul II, Dur.: 30 Min. Choir and Orchestra: The Hollow Men , Tone-Poem for Male-Choir and large Orchestra (1994/95). Poetry by T. S. Eliot. Dur.: 40 Min. Choir: A young Voice; 20 Tenors, 20 Basses. Picc.2.2.Eh.2.Bcl.2.Cbsn. – 6.3.2.2 – Perc.(3) – Timp. – Str.: 16.14.12.10.8 Magnificat for Solo-Quartet (SATB), Oboe and Strings (1995). Dur.: 22 Min. Str.:2.2.2.2.1 Questions for Boys-Choir and String-Orchestra (1996). Poetry by Shelia Dunn. Dur.: 12 Min. Solo-Voices, Choir and Orchestra: Gesänge des Schmerzes (Songs of Agony) for Soprano, Tenor, mixed Choir, Orchestra and Organ on words of the Holy Scripture (1993). Dur.: 22 Min. 3.2.2.2 – 4.4.2.2 – 3Timp. – Str. – Organ Herbstliche Gesänge (Autumn Songs), A Vocal Symphony for Solo-Voices, mixed Choir and large Orchestra (in Progress). Poetry by Friedrich Georg Jünger. 4 Parts, Dur.: ~120 Min.The 1st and 4th Part can be performed seperately: Herbstfeuer (Autumn Fire) for Soprano, Choir and Orchestra (1997). Dur.: 24 Min. Picc.3.3.Eh.3.Bclar.3.Cbsn. – 8.4.3.1 – Perc.(4) – 4Timp. – Glass-Hp. – Cel. – 2Hps. – Str.:16.14.12.10.8. Im tiefen Granit (Within deep Granite) for Choir and Orchestra (1998). Dur.: 25 Min. Picc.3.3.Eh.3.Bclar/CbClar.3.Cbsn. – 8.4.3.1 – Perc.(4) – 5Timp. – Glass-Hp. – Cel. – 2Hps. – Str.:16.14.12.10.8. CHAMBER MUSIC Piano solo: Sonata No. I (Fantasia) (1991). Dur.: 12 Min. WP: December 1994 in Madison, USA Sonata No. II (1994). Dur.: 15 Min. WP: December 5th, 1995 in Madison, USA Sonata No. III (Fantasia) (1995). Dur.: 15 Min. WP: October 4th, 1997 in Regensburg, Germany Herkunft (Origin), (1996). Dur.: 10 Min. WP: October 4th, 1997 in Regensburg, Germany Juraland , Seven Pieces (1998). Dur.: 20 Min. WP: October 10th, 1998 in Beratzhausen, Germany Adagio (1998, in memoriam Ernst Jünger). Dur.: 5 Min. WP: March 27th, 1999 in Heiligkreuztal, Germany Murmelspiele (Marble-Games), Four short Pieces for Young Pianists (1998), Dur.: 4½ Min. Orbis , Music for Piano and Electronic Sounds (Tape), (1998). Dur.: 26 Min. WP: March 20th, 1999 in Houston, TX, USA Randschnitte (Border-Cuts), (1998). Dur.: 30 Min. Über Tiefen (Above Depth), Version for Solo Piano (2002). Dur.: 17 Min. Piano and other Instruments: Sonata for Cello and Piano (1996/97) 3 Mvmts, Dur.: 34 Min. Four Slow Pieces for Violin and Piano (1997). Dur.: 10 Min. Exordia , Four Pieces for Horn and Piano (1997/98). Dur.: 10 Min. Petite Sonate brillante for Flute and Piano (1999). 3 Mvmts, Dur.: 11 Min. WP: July 10th, 1999, Regensburg, Germany. Commissioned by the Literature and Music Association, Regensburg Excavation , Music for a Solo-Instrument and Piano (Work-Cycle) No.1: for Bassoon and Piano (1999). Dur.: 12 Min. No.2: for Violin and Piano (1999). Dur.: 12 Min. Piano-Trio No. I (1992). Dur.: 17 Min. La nuit de l’extase , Piano-Trio No. II (1994). Dur.: 17 Min. WP: March 1995 in Madison, WI, USA …in Sicht (…in Sight), Piano-Trio No. III (1999). 3 Mvmts, Dur.: 16½ Min. CD: Cybele 360.601 Talea (…in Sight), Piano-Trio No. IV (2011), Dur.: 20 Min. WP: December 3, 2011, Kampnagel, Hamburg, Germany Trio Boulanger Strings: Invention for Violin solo (1992). Dur.: 10 Min. Violin-Music for Beginners (1992). 2 Mvmts, Dur.: 5 Min. Vers apocalyptique for Violin solo (1995). Dur.: 8 Min. Io sol uno (1°) , Canti e correnti infiniti per violino solo (2000). Dur.: 30 Min. Vers divin for Viola solo (1995). 2 Mvmts, Dur.: 12 Min. WP: May 2nd, 1996 in Madison, WI, USA Sonata semplice for Viola solo (1995). Dur.: 7 Min. Sonata for Cello solo (1992). 4 Mvmts, Dur.: 18 Min. Sorrow , Elegy for Cello solo (1995, in memoriam Yitzhak Rabin). Dur.: 8 Min. WP: May 2nd, 1996 in Madison, WI, USA Abbild (Effigy) for Cello solo (1999). Dur.: 12 Min. WP: April 24th, 2000 in Madison, WI, USA (Cellist: Sanford Enslin) CD: Cybele 360.601 (Cellist: Scott Roller) Sonata for Contra-Bass solo (1995). Dur.: 10 Min. Gedunkeltes Splitterecho (darkened Splinter-Echoe) for Contra-Bass solo (1997/98). 4 Mvmts, Dur.: 28 Min. String-Trio No. I (1991/92). Dur.: 10 Min. String-Trio No. II (1992). Dur.: 15 Min. String-Trio No. III (1992). Dur.: 12 Min. Diptychon , String-Trio No. IV (for Beginners), (1995). 2 Mvmts, Dur.: 12 Min. WP: May 2nd, 1996 in Madison, WI, USA String Quartet: String-Quartet No. I (1992). Dur.: 10 Min. String-Quartet No. II (1992). 4 Mvmts, Dur.: 20 Min. String-Quartet No. III (1994). Domestic Impressions, 4 Mvmts, Dur.: 20 Min. String-Quartet No. IV (1995). Dur.: 17 Min. WP: May 2nd, 1996 in Madison, WI, USA / Giocoso Ensemble String-Quartet No. V (1997/2012rev.). 4 Mvmts, Dur.: 30 Min. String-Quartet No. VI (1999). 4 Mvmts, Dur.: 17 Min. CD: Cybele 360.601 String-Quartet No. VII (2000) Verwehte Pfade (Blown-Away Paths), 4 Mvmts (4th with Bass Voice-Solo), Dur.: 18½ Min. WP: November 12th, 2001 at District Government’s Ballroom, Regensburg, Germany Bamberg String Quartet (Members of the Bamberg Symphony Orchestra) Music for Ten Violins (1992). Dur.: 12 Min. Im Sog (Within Suction), Music for Twelve Violoncellos (1998/99). Dur.: 10 Min. Wood Winds: Ambrosial Scenes of Peace , Wind-Quintet (1996). 4 Mvmts, Dur.: 26 Min. Nocturne for Wind-Quintet (2000). Dur.: 8 Min. WP: February 1st, 2001 in Regensburg, Germany. Commisioned by DaimlerChrysler, Regensburg Auletika , Solo Pieces for Oboe, Oboe d' Amore and English-Horn (2002). Dur.: 15 Min. WP: October 18th, 2002, Regensburg, Germany. Commissioned by the Literature and Music Association, Regensburg Brass Instruments: Spazier-Gang (Walk) for Brass-Quintet (1993). Dur.: 3½ Min. WP: August 24th, 1993 in Bayreuth, Germany Extravagance for Trumpet (in B-flat) solo (1995). Dur.: 5 Min. Berliner Symphonie (Berlin Symphony) for Eight Horns in F (1996). 4 Mvmts, Dur.: 30 Min. Voci (Voices) for Brass-Choir (1996/97). Dur.: 12 Min. 4 Trpt. (C), 4 Hrn. (F), 3 Trb., Euph., Btb. Five Pieces for Horn-Quartet (1997). Dur.: 14½ Min. Umwolkt (Beclouded), Tuba-Quartet (1998). 4 Mvmts, Dur.: 19 Min. 2 Euph./Ten.tb., Btb., Cbtb. Horn-Quartet No. II (1998/99). 5 Mvmts, Dur.: 15 Min. Farbruf (Color-Call) for Horn solo and Electronic Sounds (Tape), (1999). Dur.: 26 Min. WP: December 8th, 1999 in Madison Celesta solo: Sternenmusik (Starry-Music), (1999). 2 Mvmts, Dur.: 10 Min. WP: July 10th, 1999, Regensburg, Germany. Commissioned by the Literature and Music Association, Regensburg Harp solo: Sabbatai Zewi , Musical Wanderings in seven Episodes (2000). Dur.: 17½ Min. WP: October 7th, 2000, Regensburg, Germany. Commissioned by the District of Upper Palatinate MIXED ENSEMBLES: Duos: Ein musicalischer Spaß (A musical Joke) for Oboe and Cello (1992). Dur.: 5 Min. Three Dances for Flute and Contra-Bass (1993). Dur.: 15 Min. Cenotaph for Flute and Marimba (1999). Dur.: 7 Min. WP: June 26th, 1999 during the “International Summer Music Camp” North Dakota, USA Ein junges Reis aus Meeresgärten (A Young Branch from the Sea’s Garden), Fantasia for Harp and Cello (2000). Dur.: 6 Min. Five Impromptus for Flute and Harp (1999). Dur.: 20 Min. WP: October 19th & 20th, 2001, Regensburg, Germany. Commissioned by the Literature and Music Association, Regensburg ...dell'aria immota... (...within the motionless Air...), for Violin and Cello (2001). Dur.: 30 Min. Übermalung (Overpainting), for Trombone and Harp (2001). Dur.: 17 Min. Trios: …come in lo spazio il sole (…just like within the Sun’s Space), Four Fragments for Bassoon, Percussion ad lib. and Piano (1999). Dur.: 18 Min. Intarsia for Oboe (doubl. English-Horn in F), Baroque-Harp and Contra-Bass (2000). Dur.: 10 Min. …im Nirgends (…within Nothing-ness), Trio for Bassflute (doubl. Piccolo), Cello and Piano (2000). Dur.: 20 Min. Quartets: Glaswolken (Glass-Clouds), Music for acoustic Guitar, Celesta, Violin and Cello (1997). 3 Mvmts, Dur.: 19 Min. Akamba , Ritual for four Instruments (1998/99) No. 1: Version for Clarinet in B-flat, Djembe, Piano and Contra-Bass (1998). Dur.: 14 Min. No. 2: Version for Clarinet in B-flat, Trombone, Cello and Piano (1999). Dur.: 14 Min. Quintets: Unter Steinen (Under Stones), Sketch for Flute, Clarinet in B-flat, Viola, Contra-Bass, Piano and Electronic Sounds (Tape: “Contour”), (1998). Dur.: 7 Min. L’Épars, l’Indivisible / traçant / Perdu, non dégagé… (The Parts, the Indivisible), Music for Horn and String-Quartet (1999). Dur.: 8 Min. Sextets: Music for Flute, 2 Violins, Piano, Organ and Percussion (1992/93). Dur.: 15 Min. Il canto l’interno, …nell’intimo (Inwardly) for Flute (dbl. Piccolo & Bassflute), Clarinet in B-flat (bl. Bass-Clarinet), Violin, Cello, Piano and Percussion, (1998). Dur.: 7 Min. CD: Cybele 360.601 Septets: Dance in the Woods for Flute, Piano, 3 Violins, Viola and Cello (1993). Dur.: 7 Min. WP: August 19th, 1993, Bayreuth, Germany Larger Ensembles: Verriegelte Zeit (Bolted Time) – Omaggio a Luigi Nono for 6 Percussion Groups (7 Players), Celesta, Synthesizer and Tape, (1998/99). Dur.: 22 Min. WP Radio-Broadcasting: December 11th, 2000, Hessischer Rundfunk hr 2 (Hessian Public Radio Corporation) Bergung (The Salvaging), Music for 21 Players (2000). Dur.: 13 Min. 0.Bassfl.0.1.Cbcl.1.Cbsn. – 0.0.4.0 – Perc. (2) – Pno. – Hp. – 1.0.2.3.2 Io sol uno (2°) , Migrazione infinita con suoni gialli per violino lontano e 5 cori spezzati (2001). Dur.: 20 Min. 1.0.1.0 – 0.0.1.0 – Perc.(1) – Pno. – Hp. – Str.:1.1.1.1.1 CD: Cybele 360.601 Über Tiefen (Above Depth), Soloist-Version for 8 Players (2002). Dur.: 17 Min. 1.1.1.0 – 0.0.0.0 – Perc. (1) – Pno. – 1.0.1.1.0 WP: January 19th, 2003, St. Stephen's Church, Manhattan, New York City, NY, U.S.A. NORTH/SOUTH Ensemble, Conductor: Max Lifchitz All Compositions are Copyrighted and Licensed with GEMA

"Art invites us to intellectual consideration, and that, not for the purpose of creating art again, but for knowing philosophically what art is." Georg W. F. Hegel What is the purpose of the artist in a time when everyone out there is an artist? Pinterest, Facebook, Twitter, YouTube — anyone and everyone with access can express oneself in the blink of an eye to a niche audience or even wake up one morning to a viral hit. Does this kind of expression though drive current issues that stick out and having a durabilty beyond the 15 minutes of fame, or is it just a mere consumerist regurgitation by which anything goes — tame; easily digestible? Visual artist Jens Joneleit takes a particular point of view. Surprising himself and his viewers, Jens Joneleit explores current issues through discontinuity — creating works that defy cohesion, and thus become cohesive. With each new series he creates on canvas, paper or wood, he engages in a total re-evaluation — confronting the storm of possibilities, keeping his ego in check and creating works that stand alone trying to unify the un-unifiable. With the erasure of boundaries in today’s world defined by ways and means of the information super-highway, Jens Joneleit reflects that idea with pursuing the impossible, creating chances while also, at times, facing the risk of failure. Never growing bored nor giving up nor using failure as an easy escape route, the perpetually-changing thus discontinuous visual vocabulary of Jens Joneleit brings to mind upon viewing new differentiated forms of mediating powers within current issues of contemporary art. Shifting his visual approach from one series to another, Jens Joneleit offers works that may define a different perspective. Quite simply, Post-Modernism, with its constant borrowing, mashing, sampling and appropriating, has exhausted itself and stands at a twilight — especially since these creation-processes are being repeated over and over by billions of internet users around the globe. By not appropriating content of any hard nor even a virtual reality, nor taking in inventory of representational and iconographic information, Jens Joneleit embraces new visual languages confronting his own perception and today’s quickly changing Zeitgeist. To charge his vision, Jens Joneleit searches and stretches the boundaries with his creative vigor, committing to his own critical assessment that asks him to continually change. Taking already existing content, deconstructing it, and re-designing it, is not really a contribution to authentic unknown things. On the contrary, Jens Joneleit understands from experience that new content can only be generated; when not just content is changed but also its creation processes — changed constantly and perpetually. With generating experiences, not messages, Jens Joneleit never has to ask if his art is political, because he believes that all art is — an unpredictable puzzle or a paradox perhaps but most of all, a surprise for himself and his viewers in the quest of contributing to a change of a ubiquitous understanding.

NO-THING 5 LightJet Chromogenic Print on Kodak Endura F Paper. The Print (glossy effect) is mounted on Alu-Dibond. White Aluminum Back Frame. Unique. 67" by 70" (172 cm x 180 cm) (2020) NO-THING 4 LightJet Chromogenic Print on Kodak Endura F Paper. The Print (glossy effect) is mounted on Alu-Dibond. White Aluminum Back Frame. Unique. 61" by 70" (157 cm x 180 cm) (2020) NO-THING 3 Inkjet Print on Hahnemühle Photo Rag Ultra Smooth Paper. The Print (matte effect) is mounted on Alu-Dibond. White Aluminum Back Frame. Unique. 45.2" by 47.2" (115 cm x 120 cm) (2020) NO-THING 2 Inkjet Print on Hahnemühle Photo Rag Ultra Smooth Paper. The Print (matte effect) is mounted on Alu-Dibond. White Aluminum Back Frame. Unique. 45.2" by 47.2" (115 cm x 120 cm) (2020) NO-THING 1 Inkjet Print on Hahnemühle Photo Rag Ultra Smooth Paper. The Print (matte effect) is mounted on Alu-Dibond. White Aluminum Back Frame. Unique. 45.2" by 47.2" (115 cm x 120 cm) (2020) POST VIRGIN-STREAK No. 1 Mixed Media on Canvas, framed 9.5" by 12" (24 cm x 30 cm) 01/2020 - available for purchase - POST VIRGIN-STREAK No. 2 Mixed Media on Canvas, framed 95" by 12" (24 cm x 30 cm) 01/2020 - available for purchase - POST VIRGIN-STREAK No. 3 Mixed Media on Canvas, framed 9.5" by 12" (24 cm x 30 cm) 02/2020 - available for purchase - POST VIRGIN-STREAK No. 4 Mixed Media on Canvas, framed 9.5" by 12" (24 cm x 30 cm) 02/2020 - available for purchase - POST VIRGIN-STREAK No. 5 Mixed Media on Canvas, framed 9.5" by 12" (24 cm x 30 cm) 03/2020 - available for purchase -

PURCHASE ARTWORK EXTRA LARGE SIZE € 15.000,00 (includes VAT and shipping worldwide) If you like to purchase the artwork you have selected clicking the ACQUIRE button, please read the following information thoroughly. To place an order, inquire or if you have any questions please click the CONTACT form and send an email. A response will be issued within 24 hours upon your initial inquiry. SHIPPING & HANDLING WORLDWIDE All shipping and handling costs are included in the above purchase price. This includes worldwide first-class shipping, custom crates for larger painting and tubing or other means for smaller works. PURCHASE INVOICE & TERMS To facilitate shipping and handling at no additional costs to the buyer, the seller requires half the purchase price (50 percent down payment) to be paid upon receiving an electronic invoice issued by the seller in form of a PDF attached to a return-email, which includes contact, account information for payments and delivery details. The final payment of 50 percent of the total purchase price is due within two weeks after delivery of the purchased artwork. DIGITAL ARTWORKS For unique digital artworks at the size and dimension displayed on this site, the purchase process is the same as above. Instead of shipping the actual artwork, however, the artwork in this case would be delivered on a USB-Stick containing the super-large high-resolution printing file of each artwork purchased. In addition to the mutually agreed purchase invoice, the seller will also issue an original Certificate of Authenticity, signed by artist Jens Joneleit verifying that the file sold and sent is the only copy of this work and that only a safety-copy of the file will be held by the Jens-Joneleit-Studio for archival and safety purposes only. ORDER