LIST OF COMPOSITIONS

(Last updated August 2020)

WP = World Premiere Performance

CD = Compact Disc Recording

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PLEASE NOTE THAT SCORES & PARTS FOR EVERY COMPOSITION HAVING BEEN COMPOSED AFTER 2004 ARE ONLY AVAILABLE FROM KARSTEN WITT MUSIK-MANAGEMENT GmbH. PLEASE CLICK:

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Orchestral Works:

Symphony No. I  (“Mecklenburger Sinfonie”) (1988/91). 3 Mvmts, Dur.: 30 Min.

2.2.2.2 – 2.2.2.0 – Perc.(2) – 4Timp. – Str.

 

Symphony No. II  (1990/92). 4 Mvmts, Dur.: 38 Min.

Picc.2.2.1.1 – 2.2.2.1 – Perc.(3) – 2Timp. – Str.:12.12.10.8.6

 

Serenade for String Orchestra d-minor  (1992). Dur.: 6 Min. Ensemble:12.12.8.8.6.

WP: August 26th, 1992, Bayreuth, Germany / String-Orchestra of the Conservatoire of Lwiw, Ukraine

 

Fanfare for Symphonic Band  (1992). Dur.: 7 Min.

2Picc.2.0.2.2Bcl.4Sax.2 – 2.3.2.4 – Perc.(11) (all Parts ad lib. to be doubled)

WP: February 1993, Vermillion, SD, USA / University of South Dakota Symphonic Band

 

Two Serenades for String Orchestra  (1993/95)

No. 1: “Stella” (1993). Dur.: 6 Min.

WP: August 24th, 1993, Bayreuth, Germany / String-Orchestra of the Conservatoire of Lwiw, Ukraine

No. 2: “A little romantic Serenada” (1993/95). Dur.: 8 Min.

 

Stella, Symphonic Poem  (1993). Dur.: 25 Min.

Picc.2.2.Eh.2.3.Cbsn. – 4.4.3.1 – Perc.(3) – 5Timp. – Str.:12.12.10.8.6

 

Pinocchio, Ballet-Ouverture  (1994). Dur.: 13 Min.

2.2.2.2.Cbsn. – 3.2.2.1 –Perc.(3) – 3Timp. – Pno. – Str.:12.12.10.8.6

 

Symphony No. III  (“American Symphony”) (1994). 4 Mvmts, Dur.: 50 Min.

2.2.2.2 – 2.2.2.1 – Perc.(3) – 4Timp. – Str.

WP: November 25th, 1998, Budweis, Czech Republic / South-Bohemian Philharmonic Orchestra

 

Domestic Impressions, Suite for String Orchestra (1995). 4 Mvmts, Dur.: 20 Min.

 

The Treasure-Ship, Ouverture for large Orchestra  (1995/96). Dur.: 10 Min.

Picc.3.2.Eh.3.Bcl.4 – 6.4.3.1 – Perc.(5) – 3Timp. – Str.

WP: Mai 18th, 1997, Madison, WI, USA / Wisconsin Youth Symphony Orchestra

 

Symphony No. IV  (“Peace-Symphony”) (1995). 4 Mvmts, Dur.: 50 Min.

Picc.2.2.Eh.2.Bcl.2.Cbsn. – 6.3.3.2 – Perc.(3) – 3-4Timp. – Str.:16.14.12.10.8

 

Heldenplatz, Ouverture to Thomas Bernhard’s Play  (1993/96). Dur.: 7 Min.

2.2.2.2 – 2.1.2.1 – Xyl. – Marimb. – Perc.(3) – 3Timp. – Pno. – Str.

 

Symphony No. V  (1996). 2 Mvmts, Dur.: 55 Min.

3.3.Eh.2.Bcl.3.Cbsn. – 6.3.3.1 – Perc.(4) – Timp. – 3Hps. – Str.:16.14.12.10.8

 

Symphony No. VI  (“Colored Time”) (1996). 3 Mvmts, Dur.: 60 Min.

Picc.3.3.Eh.2.Bcl.3.Cbsn. – 8.4.3.1 – Perc.(4) – 5Timp. – 2Hps. – Str.:16.14.12.10.8

 

Symphony No. VII  (1996). 2 Parts, Dur.: 50 Min.

Picc.3.2.Eh.3.Bcl.3.Cbsn. – 8.4.3.1. – Perc.(4) – Timp. – 2Hps. – Str.:16.14.12.10.8

 

Nur von der Erde… (Only from the Earth…), Concerto for Orchestra  (1997/98). Dur.: 20 Min.

Picc.3.2.Eh.2.Bcl.2.Cbsn. – 4.3.3.1 – Perc.(4) – 5Timp. – 2Hps. – Str.:14.14.12.10.8

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Mosaic, Four Pieces for small Orchestra  (1998). 4 Mvmts, Dur.: 13 Min.

1.1.1.1 – 2.1.0.0 – Perc.(1) – Hp. – Str.(ad lib. to be doubled):1.1.1.1.1.

WP: April 24th, 1998, Madison, WI, USA / Contemporary Chamber Ensemble UW-Madison

 

Weidengesang (Willo-Tree Chant) for large Orchestra  (1997/98). Dur.: 27 Min.

Picc.3.2.Eh.2.Bcl.3.Cbsn. – 4.3.3.1 – Perc.(4) – 5Timp. – Pno./Cel. – 2Hps. – Str.:14.14.12.10.8

WP: August 11th, 2000, Riedenburg, Germany / Moscow Symphony Orchestra

 

Sinfonia Riconciliazione (Haydn-Paraphrases)  (1998). Four Mvmts, Dur.: 13½ Min.

1.2.0.1 – 2.0.0.0 – Harpsichord – Str.:5.4.3.3.2

WP: Oktober 3rd, 1999, Madison, WI, USA / University of Wisconsin Chamber Orchestra

 

Ombres chatoyantes (Irridescent Shadows), Five Pieces for Orchestra (1998) Dur.: 8 Min.

3.2.2.3. – 4.3.3.1 – Perc.(3) – 5Timp. – Hp. – Str.:14.14.12.10.8

 

Suona profondo l’Aperto, nell’interno di tempo bloccato,

Music for Orchestra and Electronic Sounds (Tape) (1999). Dur.: 22 Min.

3.Bassfl.1.1.Cbcl.2.Cbsn. – 2.2.2.1 – Perc.(6) – 5Timp. – Pno. – Cel. – Hp. – Str.:5.0.12.10.8

 

Schallrisse, Divertimento in seven Episodes  (1999). Dur.: 10½ Min.

Picc.2.2.2.Bcl.2.Cbsn. – 4.3.3.0 – Perc.(3) – 5Timp. – Pno./Cel. – 2Hps. – Str.:14.14.12.10.8

 

Les lointains blancs…, Music for a “Beethoven-Orchestra”, (2000). Dur.: 10½ Min.

2.2.2.2 – 4.2.0.0 – 4Timp. – Str.:12.12.10.8.6

WP: September 9th, 2000, Holy Trinity Church, Bayreuth, Germany / Bamberg Youth Orchestra

 

Thorn-Reeth, Composition for Orchestra  (1998). 4 Parts, Dur.: 25 Min.

3.2.2.Bcl./Cbcl.2.Cbsn. – 4.3.3.1 – Perc.(1) – 5Timp. – Pno. – Str.:14.14.12.10.8

 

Lux perveniet, Symphonic Chorale for Reformation-Day  (1999). Dur.: 7 Min.

Picc.6.2.Cl(E-flat).15.Bcl.5Sax.2 – 6.9.4.Euph.5 – Perc.(4) – 4Timp. – 2 Church Bells.

WP: Oktober 31st, 1999, Holy Trinity Cathedral, Regensburg, Germany

Symphonic Wind-Orchestra Regensburg

 

Cross-Path, Music for large Orchestra  (1999). Dur.: 27 Min.

Picc.3.2.2.Cbcl.2.Cbsn. – 4.3.3.1 – Perc.(3) – 3Timp. – Pno. – Cel. – Hp. – Str.:14.14.12.10.8

 

Io sol uno (3°), Al passo del suono - "Es fesselt, kein Zeichen..." Hölderlin

(On the Path of Sound - "No grip, no Signs..." for 5 Orchestra-Groups (2001). Dur.: 40 Min.

Ensemble:

Group 1: Picc.0.2.0.Bclar.2 - 2.1.0.0. - 0.0 - 4.0.3.2.1.

Group 2: 1.0.Eh.1.1 - 1.1.1.0. - 1.) Perc (1).0 - 4.0.3.2.1.

Group 3: 1.0.Heckph.1.0 - 1.1.1.0. - Organ - 2.) Perc (1).0 - 4.0.3.2.1.

Group 4: 0.0.0.0 - 4.1.2.Btb - 3.) Perc (1).0 - 2. Hrp - 4.0.3.2.1.

Group 5: 0.Bfl.0.0.CbClar.0.Cbsn - 0.0.0.Cbtb - 4.) Perc (1). 5 Timp - Cel - 1. Hrp - 0.0.0.2.4.

Complete Orchestra:        

Picc.2.Bfl.2.Eh.Heckph.2.Bclar.CbClar.3.Cbsn - 8.4.4.2 - Organ - Perc (4). 5 Timp - Cel - Hrp (2) -16.0.12.10.8

(at least 4 Contrabasses in Group 5 with C-String)

 

Gestalt im Fluss (Shape within Flow), for large Ensemble (2001). Dur.: 16 Min.

Orchestra: 2.0.2.0.Cfag. - 2.2.3.1 – Perc. (1). 3 Timp. – Pno. – Hrp. - 4.0.6.4.3

WP: November 5th, 2004, Radio Symphony Orchestra Frankfurt, Cond.: Lucas Vis

Hessian Public Radio

 

...of other Spaces - Fears - a hollow shining..., for Orchestra (2002/05). Dur.: 50 Min.

Orchestra: Picc.2. Bfl.0.2.Bclar.Cbclar.2.Cbsn. - 4.4.4.1 – Perc. (3). 4 Timp. – Pno/Celesta - Harp - 12.0.12.10.8

WP: February 2006, Theaterhaus 1, SWR-Radiosinfonieorchester Stuttgart, Cond.: Peter Hirsch

Southwest Public Radio

 

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Works for Solo Instruments and Orchestra

Piano Concerto No. I  (1990). 3 Mvmts, Dur.: 20 Min.

Picc.2.2.1.1 – 2.2.2.1 – Perc.(3) – 2Timp. – Str.:12.12.10.8.6

 

Violin Concerto No. I  (1992/93). Dur.: 16 Min.

Picc.2.1.1.1 – 1.2.2.0 – Perc.(2) – Str.

 

Cello Concerto No. I  (1993/94). Three Mvmts, Dur.: 46 Min.

Picc.2.2.Eh.2.2 – 4.2.2.1 – Xyl. – Marimb. – Bassmarimb. – Perc.(3) – 4Timp. – Str.:12.12.10.8.8

 

Piano Concerto No. II  (1995). Three Mvmts, Dur.: 30 Min.

2.2.2.2.Cbsn. – 4.2.2.1 – Perc.(3) – 3Timp. – Str.:14.14.10.8.8

 

Horn Concerto  (1995). Three Mvmts, Dur.: 22 Min. Solo-Horn in E-flat.

2.2.2.2.Cbsn. – 4.2.2.1 – Perc.(3) – 4Timp. – Str.

 

Concert-Music for Cello and String Orchestra  (1995/96). Dur.: 10 Min.

WP: April 1996, Madison, WI, USA

 

Violin Concerto No. II  (1995/97). 3 Mvmts, Dur.: 38 Min.

2.2.2.2.Cbsn. – 4.2.3.1 – Perc.(3) – 4Timp. – Str.:14.14.12.10.8

 

Splinter-Echoe, Cello Concerto No. 2  (1998). Dur.: 18 Min.

1.0.1.1 – 1.0.1.0 – Perc.(1) – Hp. – Str.(ad lib. to be doubled):1.1.1.1.1

 

Konnex, Piano Concerto No. 3  (1999). Dur.: 11 Min.

0.0.1.0.Cbsn. – 4.0.0.0 – Perc. (3) – Hp. – Str.:0.0.1.0.3

 

Io sol uno (4°), "Nel peso dell'aria immota" (In the Weight of motionless Air)

for Violin, Cello and Ensemble (2002), Dur.: 20 Min.

1.0.0.Bclar. – 1.1.0.0 – Perc. (1) –  0.0.1.1.1

 

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VOCAL WORKS

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Solo-Voices and Orchestra:

The Symphonic Metamorphosis of Perpetual Motion for Soprano and Orchestra  (1991/92).

Poetry by Wilhelm Müller. Dur.: 16 Min.

2.2.3.2. – 2.3.3.2 – Perc.(1) – 3Timp. – Cel.(ad lib.) – Hp.(ad lib.) – Str.

 

Todesfuge (Death-Fugue) for Baritone and Orchestra  (1995/96).

Poetry by Paul Celan.

Dur.: 30 Min. / Picc.3.2.2.3.Cbsn. – 6.3.3.1 – Perc.(4) – 3Timp. – Str.:16.14.12.10.8

WP: April 8th, 1997, Madison, WI, USA / University of Wisconsin Symphony Orchestra

 

Four Songs for Mezzo-Soprano and Orchestra  (1996/97).

Poetry by Dorothy Parker. Dur.:15 Min.

2.2.2.2 – 4.2.2.0 – 3Timp. – Hp – Str.:14.14.12.10.8

 

Blüte und Verhängnis (Blossom and Entrapment), Symphonic Song Cycle for Soprano and Orchestra (1999/2000).

Poetry by Albert von Schirnding. Dur.: 24 Min.

Picc.2.2.Eh.2.Bcl.2.Cbsn. – 4.3.3.1 – Perc.(2) – 4Timp. – Cel. – Hp. – Str.:14.14.12.10.8

 

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Solo-Voice with Chamber Ensemble Accompaniment:

Falterzug (Butterfly Trail), Four Songs for Mezzo-Soprano and Ensemble (1997/98).

Poetry by Albert von Schirnding. Dur.: 28 Min.

0.0.1.1 – 1.0.0.0 – Str.(ad lib. to be doubled):1.1.1.1.1

 

Beschwörung (Conjuration) for Baritone and Ensemble (1998).

Poetry by Albert von Schirnding. Dur.: 10 Min.

1.0.1.Cbcl.0.Cbsn. – 1.0.1.0 – Perc.(1) – Hp. – Str.(ad lib. to be doubled):0.0.1.1.1

 

Die Stadt in allen Winden (The City within all Winds), Song-Cycle for Soprano, Flute (doubl. Alto- and Bassflute) and Piano (1999). Poetry by Georg Britting. Dur.: 20 Min.

WP: July 10th, 1999, Regensburg, Germany. Commissioned by the District of Upper Palatinate

 

Herbsttag (Autumn-Day), Song for Bass and String-Quartet (2000).

Poetry by Franz Xaver Staudigl (= 4th Mvmt of String-Quartet No. VII: Verwehte Pfade). Dur.: 7 Min.

 

i più deserti campi (the most deserted fields), Sonnet for Mezzo-Soprano, Horn and Electronic Sounds (Tape), (2001).

Poetry by Francesco Petrarca. Dur.: 31½ Min.

 

Kitzgrau (Pure-Gray), Song-Cycle for Soprano, Flute (doubl. Alto- and Bassflute) and Piano (2002).

Poetry by Margret Hölle. Dur.: 17 Min.

WP: October 29th, 2002, at District Government’s Ballroom, Regensburg, Germany

Commissioned by the District of Upper Palatinate

 

Solo-Voice with Piano-Accompaniment:

Four Songs for Female Voice and Piano (1996).

Poetry by Dorothy Parker. Dur.: 15 Min.

WP: April 23rd, 1997 in Madison, WI, USA

 

Monddunstland (Moon-Dust Land), Seven Songs for Voice and Piano (1997).

Poetry by Franz Xaver Staudigl. Dur.: 19 Min.

WP: October 10th, 1998 in Beratzhausen, Germany. Commissioned by the District of Upper Palatinate

 

Vier herbstliche Gesänge (Four Autumn Songs) for Soprano, Tenor and Piano (1997).

Poetry by Friedrich Georg Jünger. Dur.: 30 Min.

WP: September 13th, 1998, Überlingen, Germany. Commissioned by the State of Baden-Württemberg

 

Mein blaues Klavier (My Blue Piano), Three Songs for Soprano and Piano (2000).

Poetry by Else Lasker-Schüler. Dur.: 10 Min.

WP: Oktober 16th, 2000 in Regensburg, Germany

 

Die Pfauen (The Peacocks), Concert-Aria for Soprano and Piano (1999).

Poetry by Friedrich Georg Jünger. Dur.: 15 Min.

WP: March 27th, 1999, Heiligkreuztal, Germany

 

Zwischen Traum und Tag (Between Dream and Day), Seven Songs for Voice and Piano (2000).

Poetry by Margarete Müller-Henning. Dur.: 13 Min.

WP: March 22nd, 2000, Regensburg, Germany.

Commissioned by the Literature and Music Association, Regensburg

 

Girassol da Madrugada (Sunflower of the Morning-Dusk), Seven Songs for Baritone and Piano (2000).

Poetry by Mário de Andrade. Dur.: 20 Min.

WP: August 23rd, 2000, Margravial Opera House, Bayreuth, Germany

 

Verhängte Spiegel (Mirrors Drawn), Five Songs for Voice and Piano (2002).

Poetry by Margarete Kubelka. Dur.: 20 Min.

WP: October 20th, 2000, Regensburg, Germany.

Commissioned by the Literature and Music Association, Regensburg

 

 

Choir a capella:

Choir-Song from “King Oedipus” by Sophocles (1990). Dur.: 6 Min.

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Gradus ad fontem, seven meditations for Soprano, 3 Tenors, Baritone and Bass (2001/03). Texts by Pope John Paul II, Dur.: 30 Min.

 

Choir and Orchestra:

The Hollow Men, Tone-Poem for Male-Choir and large Orchestra (1994/95).

Poetry by T. S. Eliot. Dur.: 40 Min. Choir: A young Voice; 20 Tenors, 20 Basses.

Picc.2.2.Eh.2.Bcl.2.Cbsn. – 6.3.2.2 – Perc.(3) – Timp. – Str.: 16.14.12.10.8

 

Magnificat for Solo-Quartet (SATB), Oboe and Strings (1995). Dur.: 22 Min. Str.:2.2.2.2.1

 

Questions for Boys-Choir and String-Orchestra (1996). Poetry by Shelia Dunn.

  Dur.: 12 Min.

 

Solo-Voices, Choir and Orchestra:

Gesänge des Schmerzes (Songs of Agony)

for Soprano, Tenor, mixed Choir, Orchestra and Organ on words of the Holy Scripture (1993). Dur.: 22 Min.

  3.2.2.2 – 4.4.2.2 – 3Timp. – Str. – Organ

 

Herbstliche Gesänge (Autumn Songs),

A Vocal Symphony for Solo-Voices, mixed Choir and large Orchestra (in Progress).

Poetry by Friedrich Georg Jünger. 4 Parts,

Dur.: ~120 Min.The 1st and 4th Part can be performed seperately:

Herbstfeuer (Autumn Fire) for Soprano, Choir and Orchestra (1997). Dur.: 24 Min.

Picc.3.3.Eh.3.Bclar.3.Cbsn. – 8.4.3.1 – Perc.(4) – 4Timp. – Glass-Hp. – Cel. – 2Hps. – Str.:16.14.12.10.8.

Im tiefen Granit (Within deep Granite) for Choir and Orchestra (1998). Dur.: 25 Min.

Picc.3.3.Eh.3.Bclar/CbClar.3.Cbsn. – 8.4.3.1 – Perc.(4) – 5Timp. – Glass-Hp. – Cel. – 2Hps. – Str.:16.14.12.10.8.

 

CHAMBER MUSIC

 

Piano solo:

Sonata No. I  (Fantasia) (1991). Dur.: 12 Min.

WP: December 1994 in Madison, USA

 

Sonata No. II  (1994). Dur.: 15 Min.

WP: December 5th, 1995 in Madison, USA

 

Sonata No. III  (Fantasia) (1995). Dur.: 15 Min.

WP: October 4th, 1997 in Regensburg, Germany

 

Herkunft (Origin), (1996). Dur.: 10 Min.

WP: October 4th, 1997 in Regensburg, Germany

 

Juraland, Seven Pieces (1998). Dur.: 20 Min.

WP: October 10th, 1998 in Beratzhausen, Germany

 

Adagio  (1998, in memoriam Ernst Jünger). Dur.: 5 Min.

WP: March 27th, 1999 in Heiligkreuztal, Germany

 

Murmelspiele (Marble-Games), Four short Pieces for Young Pianists (1998), Dur.: 4½ Min.

 

Orbis, Music for Piano and Electronic Sounds (Tape), (1998). Dur.: 26 Min.

WP: March 20th, 1999 in Houston, TX, USA

 

Randschnitte (Border-Cuts), (1998). Dur.: 30 Min.

 

Über Tiefen (Above Depth), Version for Solo Piano (2002). Dur.: 17 Min.

 

Piano and other Instruments:

Sonata for Cello and Piano (1996/97) 3 Mvmts, Dur.: 34 Min.

 

Four Slow Pieces for Violin and Piano (1997). Dur.: 10 Min.

 

Exordia, Four Pieces for Horn and Piano (1997/98). Dur.: 10 Min.

 

Petite Sonate brillante for Flute and Piano (1999). 3 Mvmts, Dur.: 11 Min.

  WP: July 10th, 1999, Regensburg, Germany.

  Commissioned by the Literature and Music Association, Regensburg

 

Excavation, Music for a Solo-Instrument and Piano (Work-Cycle)

No.1: for Bassoon and Piano (1999). Dur.: 12 Min.

No.2: for Violin and Piano (1999). Dur.: 12 Min.

 

Piano-Trio No. I  (1992). Dur.: 17 Min.

 

La nuit de l’extase, Piano-Trio No. II (1994). Dur.: 17 Min.

WP: March 1995 in Madison, WI, USA

 

…in Sicht (…in Sight), Piano-Trio No. III (1999). 3 Mvmts, Dur.: 16½ Min.

CD: Cybele 360.601

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Talea (…in Sight), Piano-Trio No. IV (2011), Dur.: 20 Min.

WP: December 3, 2011, Kampnagel, Hamburg, Germany

Trio Boulanger

 

Strings:

Invention for Violin solo (1992). Dur.: 10 Min.

 

Violin-Music for Beginners (1992). 2 Mvmts, Dur.: 5 Min.

 

Vers apocalyptique for Violin solo (1995). Dur.: 8 Min.

 

Io sol uno (1°), Canti e correnti infiniti per violino solo (2000). Dur.: 30 Min.

 

Vers divin for Viola solo (1995). 2 Mvmts, Dur.: 12 Min.

  WP: May 2nd, 1996 in Madison, WI, USA

 

Sonata semplice for Viola solo (1995). Dur.: 7 Min.

 

Sonata for Cello solo (1992). 4 Mvmts, Dur.: 18 Min.

 

Sorrow, Elegy for Cello solo (1995, in memoriam Yitzhak Rabin). Dur.: 8 Min.

WP: May 2nd, 1996 in Madison, WI, USA

 

Abbild (Effigy) for Cello solo (1999). Dur.: 12 Min.

WP: April 24th, 2000 in Madison, WI, USA (Cellist: Sanford Enslin)

CD: Cybele 360.601 (Cellist: Scott Roller)

 

Sonata for Contra-Bass solo (1995). Dur.: 10 Min.

 

Gedunkeltes Splitterecho (darkened Splinter-Echoe) for Contra-Bass solo (1997/98). 4 Mvmts, Dur.: 28 Min.

 

String-Trio No. I (1991/92). Dur.: 10 Min.

 

String-Trio No. II (1992). Dur.: 15 Min.

 

String-Trio No. III (1992). Dur.: 12 Min.

 

Diptychon, String-Trio No. IV (for Beginners), (1995). 2 Mvmts, Dur.: 12 Min.

WP: May 2nd, 1996 in Madison, WI, USA

 

 

String Quartet:

String-Quartet No. I (1992). Dur.: 10 Min.

 

String-Quartet No. II (1992). 4 Mvmts, Dur.: 20 Min.

 

String-Quartet No. III (1994). Domestic Impressions, 4 Mvmts, Dur.: 20 Min.

 

String-Quartet No. IV (1995). Dur.: 17 Min.

  WP: May 2nd, 1996 in Madison, WI, USA / Giocoso Ensemble

 

String-Quartet No. V (1997/2012rev.). 4 Mvmts, Dur.: 30 Min.

 

String-Quartet No. VI (1999). 4 Mvmts, Dur.: 17 Min.

  CD: Cybele 360.601

 

String-Quartet No. VII (2000) Verwehte Pfade (Blown-Away Paths),

4 Mvmts (4th with Bass Voice-Solo), Dur.: 18½ Min.

WP: November 12th, 2001 at District Government’s Ballroom, Regensburg, Germany

Bamberg String Quartet (Members of the Bamberg Symphony Orchestra)

 

Music for Ten Violins (1992). Dur.: 12 Min.

 

Im Sog (Within Suction), Music for Twelve Violoncellos (1998/99). Dur.: 10 Min.

 

Wood Winds:

Ambrosial Scenes of Peace, Wind-Quintet (1996). 4 Mvmts, Dur.: 26 Min.

 

Nocturne for Wind-Quintet (2000). Dur.: 8 Min.

WP: February 1st, 2001 in Regensburg, Germany. Commisioned by DaimlerChrysler, Regensburg

 

Auletika, Solo Pieces for Oboe, Oboe d' Amore and English-Horn (2002). Dur.: 15 Min.

WP: October 18th, 2002, Regensburg, Germany.

Commissioned by the Literature and Music Association, Regensburg

 

Brass Instruments:

Spazier-Gang (Walk) for Brass-Quintet (1993). Dur.: 3½ Min.

WP: August 24th, 1993 in Bayreuth, Germany

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Extravagance for Trumpet (in B-flat) solo (1995). Dur.: 5 Min.

 

Berliner Symphonie (Berlin Symphony) for Eight Horns in F (1996).

4 Mvmts, Dur.: 30 Min.

 

Voci (Voices) for Brass-Choir (1996/97). Dur.: 12 Min.

4 Trpt. (C), 4 Hrn. (F), 3 Trb., Euph., Btb.

 

Five Pieces for Horn-Quartet (1997). Dur.: 14½ Min.

 

Umwolkt (Beclouded), Tuba-Quartet (1998). 4 Mvmts, Dur.: 19 Min.

2 Euph./Ten.tb., Btb., Cbtb.

 

Horn-Quartet No. II (1998/99). 5 Mvmts, Dur.: 15 Min.

 

Farbruf (Color-Call) for Horn solo and Electronic Sounds (Tape), (1999). Dur.: 26 Min.

WP: December 8th, 1999 in Madison

 

Celesta solo:

Sternenmusik (Starry-Music), (1999). 2 Mvmts, Dur.: 10 Min.

  WP: July 10th, 1999, Regensburg, Germany. Commissioned by the Literature and Music Association, Regensburg

 

Harp solo:

Sabbatai Zewi, Musical Wanderings in seven Episodes (2000). Dur.: 17½ Min.

  WP: October 7th, 2000, Regensburg, Germany. Commissioned by the District of Upper Palatinate

 

MIXED ENSEMBLES:

Duos:

Ein musicalischer Spaß (A musical Joke) for Oboe and Cello (1992). Dur.: 5 Min.

 

Three Dances for Flute and Contra-Bass (1993). Dur.: 15 Min.

 

Cenotaph for Flute and Marimba (1999). Dur.: 7 Min.

  WP: June 26th, 1999 during the “International Summer Music Camp” North Dakota, USA

 

Ein junges Reis aus Meeresgärten (A Young Branch from the Sea’s Garden), Fantasia for Harp and Cello (2000). Dur.: 6 Min.

 

Five Impromptus for Flute and Harp (1999). Dur.: 20 Min.

WP: October 19th & 20th, 2001, Regensburg, Germany. Commissioned by the Literature and Music Association, Regensburg

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...dell'aria immota... (...within the motionless Air...), for Violin and Cello (2001). Dur.: 30 Min.

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Übermalung (Overpainting), for Trombone and Harp (2001). Dur.: 17 Min.

 

Trios:

…come in lo spazio il sole (…just like within the Sun’s Space),

Four Fragments for Bassoon, Percussion ad lib. and Piano (1999). Dur.: 18 Min.

 

Intarsia for Oboe (doubl. English-Horn in F), Baroque-Harp and Contra-Bass (2000). Dur.: 10 Min.

 

…im Nirgends (…within Nothing-ness), Trio for Bassflute (doubl. Piccolo), Cello and Piano (2000). Dur.: 20 Min.

 

Quartets: 

Glaswolken (Glass-Clouds), Music for acoustic Guitar, Celesta, Violin and Cello (1997). 3 Mvmts, Dur.: 19 Min.

 

Akamba, Ritual for four Instruments (1998/99)

No. 1: Version for Clarinet in B-flat, Djembe, Piano and Contra-Bass (1998). Dur.: 14 Min.

No. 2: Version for Clarinet in B-flat, Trombone, Cello and Piano (1999). Dur.: 14 Min.

 

Quintets:

Unter Steinen (Under Stones),

Sketch for Flute, Clarinet in B-flat, Viola, Contra-Bass, Piano and Electronic Sounds (Tape: “Contour”), (1998). Dur.: 7 Min.

 

L’Épars, l’Indivisible / traçant / Perdu, non dégagé… (The Parts, the Indivisible),

Music for Horn and String-Quartet (1999). Dur.: 8 Min.

​

Sextets:

Music for Flute, 2 Violins, Piano, Organ and Percussion (1992/93). Dur.: 15 Min.

 

Il canto l’interno, …nell’intimo (Inwardly)

for Flute (dbl. Piccolo & Bassflute), Clarinet in B-flat (bl. Bass-Clarinet), Violin, Cello, Piano and Percussion, (1998). Dur.: 7 Min.

CD: Cybele 360.601

 

Septets:

Dance in the Woods for Flute, Piano, 3 Violins, Viola and Cello (1993). Dur.: 7 Min.

WP: August 19th, 1993, Bayreuth, Germany

 

Larger Ensembles:

Verriegelte Zeit (Bolted Time) – Omaggio a Luigi Nono

for 6 Percussion Groups (7 Players), Celesta, Synthesizer and Tape, (1998/99). Dur.: 22 Min.

WP Radio-Broadcasting: December 11th, 2000, Hessischer Rundfunk hr 2 (Hessian Public Radio Corporation)

 

Bergung (The Salvaging), Music for 21 Players (2000). Dur.: 13 Min.

0.Bassfl.0.1.Cbcl.1.Cbsn. – 0.0.4.0 – Perc. (2) – Pno. – Hp. – 1.0.2.3.2

 

Io sol uno (2°),

Migrazione infinita con suoni gialli per violino lontano e 5 cori spezzati (2001). Dur.: 20 Min.

1.0.1.0 – 0.0.1.0 – Perc.(1) – Pno. – Hp. – Str.:1.1.1.1.1

CD: Cybele 360.601

 

Über Tiefen (Above Depth), Soloist-Version for 8 Players (2002). Dur.: 17 Min.

1.1.1.0 – 0.0.0.0 – Perc. (1) – Pno. – 1.0.1.1.0

WP: January 19th, 2003, St. Stephen's Church, Manhattan, New York City, NY, U.S.A.

NORTH/SOUTH Ensemble, Conductor: Max Lifchitz

 

All Compositions are Copyrighted and Licensed with GEMA